THE BEST OF THE POETRY DAILY CRITIQUE

Contents:
 
Entries link to descriptions on right.
 

All comments welcome; and welcome as additions to the site:
hatterscabinet@gmail.com

Unless otherwise stated, all content © A.E.M. Baumann

The posts collected here go beyond merely exploring and commenting on a poem, offering something of substance that is worth adding to the broader discussion that is this site, and you will find them listed also on the apropos pages. Some are yet responses to poems; some are full essays. In part also I collect them here (on this particular page) as aid in the development of the project that is the PDC, in its own growing discourse.

Right now I am dividing the posts into four lists:

  1. The full-length essays.
  2. Posts whose ideas are oriented more toward critical or theoretic ideas. (For example, posts about the ideas of the aesthetic and the nomic.)
  3. Posts whose ideas are oriented more towards writing.
  4. Others topics.

There is an unavoidable degree of arbitrariness in this division.

When a post is brought here, it will be noted on the blog page, and a link will be provided. As well, once brought here, the texts will be considered as live texts, and may be edited or modified in departure of the original. Those changes may be duplicated in the original post; but, this site should be considered the most up to date. To note, some of the full-length essays are posted to the Cabinet simultaneously with their appearance on the blog and are considered more belonging to the former than to the latter. In honesty, that may manifest in ways mostly I only can see; but, it is worth pointing out.

It may be too expected to speak, but this page will rarely be caught up with the blog itself.

Use back button on keyboard to return to link in topics list.
Dates are the dates documents were added to the site.

 

Full-Length Essays

 

 

 

Creative Writing Oriented Posts

 

  • Aesthetic Validity and Ekphrasis
    – originally posted to the PDC March 14, 2013

    Introducing the concept of validity (being opposed to the idea of art and literary appreciation being about "what it means").

  • The Burial at Thebes and "Hercules and Antaeus"
    – added Jan. 30, 2015
    – originally posted to the PDC Aug. 27, 2014

    Exploring the prosaic-poetic spectrum through a critical review of Heaney's two texts. Also, a comment on the idea of serious reading versus reading for fun.

  • Calculation: Bad Prose Does Not Make for Good Poetry
    – originally posted to the PDC March 1, 2013

    Playing off of Wordsworth's idea of a poem as something "calculated."

  • Close Reading and Aesthetic Sophistication
    – originally posted to the PDC March 10, 2013

    A short defense of the importance of close reading as regards poetry (and literature in general) and the writing of poetry (and literature in general). Perhaps also comment on the seeming lack of ability at such for most poets.

  • Cold Tea Blues: A Demonstration of Poetic Form
    – posted to the PDC blog May 25, 2015
    – added to the Cabinet May 25, 2016

    Using the lyrics of the Cowboy Junkies's song "Cold Tea Blues" to explore the idea of form and how repetition can be used to create highly effective form.

  • Ekphrastic Poetry and Ideational Strength
    – added Jan 28, 2015
    – originally posted to the PDC Apr. 14, 2014

    A look at the relationship between a ekphrastic poem and its subject work of art.

  • Genuine and Sham Poetics: "Journey of the Magi"
    – added Jan 30, 2015
    – originally posted to the PDC Nov. 10, 2014

    Eliot's idea of genuine and sham poetry, through an exploration of the poetic line as seen in the opening stanza of his own "Journey of the Magi."

  • The Importance of Knowledge to Creating
    – added Jan. 28, 2015
    – originally posted to the PDC Feb. 13, 2013

    Brief note on the idea of sophistication and its relation to reading and writing; specifically, developing the poetic ear. Also, a look at chiasmus.

  • Not "Write What You Know" But "Know What You Write"
    – originally posted to the PDC June 7, 2013

    Giving the workshop cliché a hit with the hammer.

  • An Object Lesson in Brilliance
    – posted to the PDC blog June 9, 2013
    – added May 25, 2016

    Looking at one moment in "Let it Go" as an object lesson in attention to detail.

  • Passing, Clever Phrases: Life on Mars
    – added Jan 29, 2015
    – originally posted to the PDC Aug. 29, 2014

    A critical review and examination of the Pulitzer winning, poetry collection by Tracy K. Smith. Also, an exploration of the reading phrase by phrase verses reading a work in its entirety (playing off a moment in Coleridge's Biographia Literaria).

  • Proposing Some Natural Laws of Poetic Sound
    – originally posted to the PDC February 8, 2013

    A short and wholly taste-testy proposition. Something that will have to picked up again at another time.

  • Reading Typography
    – added Jan. 27, 2015
    – originally posted to the PDC Feb. 1, 2014

    A short look at the use of typograpny in a poem, and how it comes off at little more than poppoetic gimmickry. Also, a moment on Cummings's own use of typography to create flatness in his poetry.

  • Sonnet 128: A Study in Unity
    – added Jan 28, 2015
    – originally posted to the PDC Jun. 7, 2014

    A demonstration of organic unity through Shakespeare's sonnet 128.

  • The Standard Fare: Ange Mlinko's "Epic"
    – added Feb. 5, 2015
    – originally posted to the PDC Dec. 9, 2013

    Following up on a previous post about the same poem in regards to Poetry Magazine, this time focusing primarily (but not exclusively) on the poem itself.

  • Tennyson's "Mariana": Ideation and Factuality
    – added Jan 30, 2015
    – originally posted to the PDC Sept. 12, 2014

    Looking at how ideation and structure work within Tennyson's "Mariana," considered one of his best works.

  • Three Comments on Technique
    – originally posted to the PDC February 27, 2013

    Three thoughts regarding the relationship between technique and the aesthetic work.

  • Using the Word Suddenly
    – originally posted to the PDC April 24, 2013

    Showing the differance between the surface and the depth use of words like suddenly while going into the workshop cliché of "show don't tell."

  • Why You Learn Formal Before Free
    – originally posted to the PDC February 20, 2013

    Talking about Eliot's and Pound's understanding that the mastery of formal verse is necessary to any mastery of free verse.

 

 

Criticism/Theory Oriented

 

  • The 'Being' of Aesthetic Literature: Theoretical and Mythical Thinking
    – added Jan. 28, 2015
    – originally posted to the PDC Mar. 12, 2014

    A look at the two modalities of thought, writing, and being, through the engagement of Modernist artists with 'Primitive' art, and through Ernst Cassirer's Language and Myth. This offered in discourse around the idea presented by MacLeish in his poem "Ars Poetica," that a poem "should not mean but be."

  • A Note on Sophistication and the Individual Reader
    – originally posted to the PDC February 4, 2013

    Discussion of the idea of "sophistication," an idea frequently seen on the PDC and this site.

  • Notes on the Idea of Organicism, Part I: Coleridge
    – added Jan 28, 2015
    – originally posted to the PDC May 6, 2014

    A presentation of the idea of organicism – in general to the Romantic era and specifically with Coleridge – as it is explicated in M.H. Abrams's The Mirror and the Lamp.

  • Notes on the Idea of Organicism, Part II
    – added Jan 28, 2015
    – originally posted to the PDC May 8, 2014

    An exploration of the idea of organicism as an foundational idea in the aesthetic, and as a tool in literary criticism.

  • The Verse-Prose, Poetic-Prosaic Spectra
    • Verse or Prose, Poetic or Prosaic
      – added Jan 29, 2015
      – originally posted to the PDC Aug. 19, 2014

      Examines the relationship between the four concepts of verse, prose, the poetic, and the prosaic as prompted by a passage in Owen Barfield's Poetic Diction. Barfield recognizes that verse and prose are concerns of the material nature of the text, while the idea of the prosaic and poetic are concerns of the ideational or spiritual nature of the text.

    • Re-examining the Verse-Prose, Poetic-Prosaic Graph
      – added Jan 30, 2015
      – originally posted to the PDC Aug. 17, 2014

      Returning to a graph presented in the post "Verse or Prose, Poetic or Prosaic" to explore the relationship between the material and ideational axes do indeed intersect, creating a usable '+' grid of literature.

 

 

Other Literary Topics

 

  • Defending Poetry Magazine
    – added Feb. 5, 2015
    – originally posted to the PDC Dec. 3, 2013

    A comment on the nature and sophistication of the poetic content in Poetry Magazine, on one obvious reason why it is so, and how it might be corrected.

  • Entrances into Poems and Poetry
    – originally posted to the PDC February 13, 2013

    Sometimes a reader has to learn how to read a poem before they can read the poem. And Barthes's idea that an aesthetic text can only be re-read.

  • Is There a Bar in Publishing?
    – originally posted to the PDC February 13, 2013

    A passing note on the question of why so much bad poetry gets published in the US.

  • Review: Poetry Magazine (Oct. 2015) – Part I (Introduction)
    – added May 25, 2015
    – originally posted to the PDC Oct. 15, 2015

    The opening essay to my nine part review of an the verse contents of an issue of Poetry Magazine, giving thought to the state of contemporary poetry culture and Poetry Magazine's participation therein.

  • Sharing a Found Bibliography
    – added Jan 29, 2015
    – originally posted to the PDC June 28, 2014

    A bibliography of works on literary criticism and literary theory from Owen Barfield's Poetic Diction.

 

 

Cultural Criticism

 

  • The Intellect and the Internet
    – posted to the PDC blog Sept. 28, 2015
    – added to the Cabinet May 25, 2016

    Does the internest hold a promising future for poetry and literary discourse? Or is more truly defined – and governed – by an ever dominating anti-intellectualism?